The amps range from clean vintage to modern high-gain with all the usual stages inbetween, and each is designed to give the same dynamic response as a real amplifier. They can be further modified using familiar amp drive and bass, middle, treble and presence tone controls, as well as a choice of modelled speaker cabinet types, microphones and on or off-axis mic positions. Waves Amp is designed to emulate a range of classic amp sounds, but these are arranged by degree of dirtiness rather than by cryptic clues as to the actual amps they were modelled on. Naturally, these stomp effects can be used in any audio track, though for guitar use, Waves understandably recommend you use them with your Waves Amp plug-in. In Logic, the parameter names also show up correctly in my Logic Control.
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MIDI control from an external device is simplified by virtue of a straightforward MIDI learn function and full parameter automation can be handled by sequencers that support plug-in automation. There are also several types of distortion effects and an octaver as well an interesting reverse delay with additional twists, such as pitch-shifting, called Lay'D.
Most of the effects are familiar 'staples' such as EQ, compressor and gate, delay, reverb and various modulation effects such as phaser, flanger, chorus and wah. For example, gates, distortion and fuzz tend to come before amps while delay and reverb are usually applied afterwards. Doing it this way means that any of the different stomp effects can be set up before or after the amplifier model as is most appropriate. The pedals are called up separately from the amp model and are not complete plug-ins in their own right, but can be opened up in virtual 'floor unit' plug-ins that each hold two, four or six virtual pedals.
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In addition to amp and speaker modelling, Guitar Tool Rack also offers a comprehensive set of 23 guitar stomp effects plus a tuner that can be used chromatically or set to custom guitar tunings. Apparently Paul was also involved in the voicing of the amplifier models.
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It consists of a software package augmented by a hardware WPGI preamp that might best be described as a guitar-optimised DI box Waves sought the help of guitar design guru Paul Reed Smith to make this behave exactly like the input stage of a typical guitar amplifier. They've so far steered clear of the software instrument market, preferring to concentrate on sound processing, but their new Guitar Tool Rack sees them entering the guitar amp modelling arena at a very serious level. Waves are one of the best established plug-in companies around and have an enviable reputation for well thought-out, good-sounding processors. Software guitar amp modelling has been around for a while, but GTR is Waves' first foray into the field - and as you'd expect, they've made a huge effort to get it right, even hiring guitar maker Paul Reed Smith to design a bespoke preamp.
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